Mobile phone service Stitcher provides a selected list of news feeds that are read to you. The production quality of this service is very good, and works well for iPhone users. Sign up, and Stitcher sends you a link to their IUI interface in Safari for the iPhone. When you find the feed you want to read, you click on a link to play the Quicktime file in your browser, and someone starts reading you a summary of the news from sites including TechCrunch and Wall Street Journal.

Apture is a new web service that allows you to provide contextual links using an AJAX layer to display content from sites such as wikipedia. So when you see the little icons next to terms (like the AJAX and Wikipedia links) you can click those links to view content from Wikipedia. Nice.

Update to OG Wireframe Palette. Added the following:

• Aquafied buttons
• Video player controls
• Hot icon
• Folder icons

I know the Aqua buttons are hi-fi, but they're useful when you're mimicking OS windows occasionally, e.g. pop up browser windows, JavaScript alert windows, etc.

Download from the wireframe palette page.

I sent feedback to OmniGroup requesting that they add jitter/squiggle line stroke styles to the next release of OmniGraffle. Omni responded that they will add this request to an existing request for hand-drawn effects, but that feature requests usually make it to the product development team when there is enough clamoring for the feature. So if this is something you're interested in, send them feedback via their support page (scroll to bottom of page for email address.

Here's the feature request I sent:

I've been hearing a lot of people asking
for some way to make drawings created in OmniGraffle appear to be have
an unfinished look by simulating hand-drawn lines. A lot of people get
by doing squiggly lines in CAD or other drawing programs. But we've
also seen people use Visio to do this.

What would be ideal for Graffle is if we could have a stroke option
that simulates squiggly or jitter line effects in a future release.
Please consider this a vote from the many of us who are asking how to
do this on the design mailing lists.

I've updated the OmniGraffle Wireframe stencils. In this release the following elements have been added or updated:

* New callout styles added
* New forms elements added: contextual help, captcha
* Tabs and controls added
* Some commonly used icons have been added

I think I will have more of the icons to come, and may eventually separate the icons from the wireframe stencil if there ends up being too many. Since the set is small for now, I'm keeping it in this document.

Download the updated stencil now.

Register here to get the free TeamPage5 installer. About TeamPage5:

Traction® TeamPage5™ is a free version of Traction Software's award winning TeamPage™ Server product. TeamPage5 supports up to 5 projects (blog / wiki spaces) and 5 named user accounts with individually defined permissions and identities. Projects can also be opened to Visitors (e.g. you can open any space so that anyone on your intranet can read, edit, comment or post). Registration for TeamPage5 provides a personal account on our support server to download software updates, read customer and product FAQ's, and participate in Traction's customer Forum.

Traction® TeamPage5™ is simple to download, install and manage. TeamPage software can be deployed on your intranet, corporate DMZ or on the public internet using a computer that supports Java server software, see TeamPage System Requirements. TeamPage5 provides a free way to create a collaborative communication hub which can scale to meet your future needs. You can easily upgrade to TeamPage15 or TeamPage at any time.

Excellent news for enterprises and now even individuals who are ready to take their knowledge management work to the next level.

I had an interesting conversation with a family member this weekend. This person is in an older category range--to 65 year olds nearing retirement. He happens to watch a few reality shows, one of which is "Dancing with the Stars", and we got onto the topic of judging on all of the shows with the "American Idol" format of judging.

From what we could gather, there seems to be 3 formats of judging:

• The public call in and online vote method--used on American Idol
• The expert judge method--used on Project Runway
• The split judge/public vote method--used on Dancing with the Stars
• The peer system where winners vote off another player--used on Survivor

The pure judge only option is not without controversy, as many who watched the 2nd season of Project Runway will attest to. Quality is a subjective thing to measure. The judges + call in vote system seems to be the one that tries to prevent the popularity of a public vote from being a way to game the system, and ensures that actual quality of performance has something to do with the outcome.

There might be others that I'm not aware of. These seem to be the most popular. Let me know if you are aware of others used on these reality shows.

Compare these with the systems used on social software sites.

• For ratings, there's the purely quantitative rating system--used on Netflix
• For comments there's the karma moderation system--used on slashdot and digg to promote or bury posts and comments

What are the methods and typical algorithms for both ratings and comments that prevent gaming these systems?

After over 8 wonderful years at Lucent Technologies, I have finally decided to move on. Over the past few months a few really terrific opportunities presented themselves to me, and I have decided to go to work for Sling Media to help start up the Sling Entertainment Group. This new group was created to design the web experience for the Clip N Sling technology that was announced at CES last December. I'm coming on as the information architect. A very talented team is putting this group together, so I'm very excited for what's to come.

I expect that I'll continue to blog about information architecture and interaction design, but the frequency and volume of my blogging is likely to diminish. I tend to write long blog entries, but can't see how I'll maintain that pattern given the change in work and lifestyle I expect. But do look for a wider array of topics to be covered, including web video.

As I've mentioned in a previous entry, I am no longer providing consulting services. On to new things!

I've been absorbing little bits on storytelling over the years to learn to communicate design more effectively. I was taking a comic book class and started reading Manga comics as part of this pursuit, which you might have read about here. And while that helps me in terms of finding new ways of visualizing the effectiveness of documents, it doesn't help with communicating messages face to face or with spoken words.

Tina pointed to this entry in Presentation Zen featuring Ira Glass giving Tips on Storytelling. Fans of Glass' public radio show, This American Life (now also a TV show) know how the experience of hearing a story can be as immersive and engaging as anything you can watch or read. Audio, in many ways, may be even more immersive than TV. Like literature, it demands that a good deal of the experience is stitched together or imagined in the mind rather than having everything explicitly depicted with visuals. Adam Curry often calls the experience "The Cinema of the Mind," referring to some of the immersive aural experiences in walking tour podcasts. But what we as designers can take away from Glass' interview in the video below is the pattern or recipe for telling the story.

Here's the recipe with bits paraphrased from Presentation Zen:

1. Find the anecdote or sequence of actions or events that tell a story rather than provide disjointed "facts".

2. Raise questions. Provide the "bait" with the implication that you will be answering them.

3. Insert moments of reflection at points during the story—a good way to do this is by reflecting on key points between anecdotes.

That's not all there is to it, obviously. He riffs a little on the problem of finding the right or most interesting stories. Sometimes the anecdote can be wonderful, but there may be no reason to care. Experience, and the ability to be ruthless, choose the right stories, and abandon the crap makes the difference here.

The crap, in Glass' case might be a boring story, or even an interesting one perhaps that just doesn't have any importance. But when it comes to telling the stories for our projects we don't have the option of abandoning the story because it seems boring on the surface. For example, communicating design concepts viewed from the standpoint of our personas might not seem very exciting on the surface. So the question becomes, how do we make it interesting. How do we communicate the story so that the rest of the team is interested enough to mentally engage with the characters and hold them in memory long enough to use them as a motivating factor in design.

Deciding to use storytelling as the vehicle is the first step in engaging the team, I would think. The analogy I would make here is that the document delivered rich with facts and data is akin to that high school essay that Glass speaks of, where a presentation or set of documents that immerse the team in the experience of the characters is more like the engaging and well told story.

The obvious next step is figuring out how you are going to use the pattern above to make telling the story, or communicating the experience effective and engaging. I'm not prescribing a formula for that because I'm always learning how to do it better myself. I've done some things in documents that use storytelling a bit, but the real deal for me is approaching each delivery as a pitch or presentation and taking the time to work on the delivery. While Glass' recipe above is general enough to be universal, the delivery is often very different depending on the story being told, but it's worth it every time to invest some time in tailoring it to fit.

I actually was playing with making an origami business card holder for those moo cards you see in the middle photo. While playing with some paper folding, ended up making an origami notebook instead, and slid the moo cards into the side pocket.

The notebook is a design I took from one of my origami books (Origami: The Art of Paper Folding by Gay Merrill Gross). I used a faux aligator skin textured paper for the cover and the pages are accordian folded.

I've actually been toting this along with me for my daily todo lists--as an adjunct tickler to the many 3x5 index cards that sit in my Action folder.