Audio and music


Jay-Z responds to Oasis' Noel Gallagher at Glastonbury.

Samson C01U - Audio MIDI Setup

The Samson CO1U USB Condenser Mic is an inexpensive USB microphone you can use for podcasting and screencasting. As I understand it, unless the software you're using on the Mac allows you to control audio input, you're going to have a Mono signal in one channel. Some software will allow you to configure the mic for mono input. GarageBand will, for example, so you can get audio in both channels. But I'm using Vara Software's Screenflow, which doesn't yet allow that kind of control of the audio settings in the current version.

To get around this, you need to change your input settings.

  1. Open Applications > Utilities > Audio Midi Setup.app
  2. Select your connected Samson C01U mic in the "Properties For:" drop down menu. The "Audio Input" area should refresh to show format options.
  3. In the Format field, change the channel drop down menu to "1ch-16 bit."

Your audio application show now send mono for both channels.


Mobile phone service Stitcher provides a selected list of news feeds that are read to you. The production quality of this service is very good, and works well for iPhone users. Sign up, and Stitcher sends you a link to their IUI interface in Safari for the iPhone. When you find the feed you want to read, you click on a link to play the Quicktime file in your browser, and someone starts reading you a summary of the news from sites including TechCrunch and Wall Street Journal.

I walked by with my headphones on, but glanced down and noticed the sign in his guitar case. It said something like, "Alabama singer/songwriter. Free CD. Donations appreciated." I dropped 3 dollars in his case and then jumped on the Q. I turned the sleeve over it my hand. It was a cut brown paper bag with ink stamps on it. It had an image of the singer's face and read Jamey Hamm, Get You A Slice. I appreciated the simplicity of it. I got home and ripped it onto my Mac. It's sort of the polar opposite of me in terms of musical taste, there's a touch of Christian & Country in there, but I like it.

This is my last week making the daily commute into Union Square. I take for granted the really great musicians banging, strumming, and belting out tunes in that station every day. Mecca Bodega are regulars, for instance. Some are not my taste (Chillean pan flutists, for instance). I usually stop a second for the singer songwriters and there's this guy who played classical guitar that's great.

I regret now, that I didn't buy a CD from every one of those musicians I gave a few minutes to. Some were so excellent, but I'm always 1/2 tuned out and eager to get home. Figures it took me a year to realize that I'll miss that now that I won't have it as part of my day. I don't know. Maybe I'll start making an effort now to collect the CDs of every halfway interesting musician I come across that's playing in the subway and start blogging about them. Might be cool.

Daft Punk's "Around the World / Harder Better Faster Stronger" performed in Paris for the Alive 2007 show. Directed by Olivier Gondry, with footage from 250 fan cameras in the audience!

Every now and then I go in search of 2 house music tracks that got played often at the clubs I went to when I was in my teens in the late 80s/early 90s--Quick on Hubert St, Mars in the meatpacking district, Tunnel and Palace de Beaute. One of the tracks was "The Max," which played the baseline from Max Q's "Sometimes" as the hook. The other track I can still sound out, but have no idea what the name is. Had a bit of an "Acid Crash" sound to it.

For some reason, when I was a DJ, I just never went in search of these tracks at the time because having been lured to raves, I started playing music of the blip, bleep, and harder Detroit variety more often. But when I went out it was to house music clubs. In any case, tonight I spent a few hours looking for the elusive tracks again because I ran into this guy's YouTube page containing loads of classic house and rave tracks. Beatport makes searching for classic tracks easier, but I still came up empty handed.

I used to go digging in record stores looking for these tracks--at places like Rock and Soul and Satellite. But I've never found them. Once in a while you can sing a part of a tune to the guru in the shop and they'll retrieve it from memory. I've done that a few times with success. But these 2 tracks keep eluding me. And I was thinking, besides searching for playlists or looking for compilations of music played in that era (early 90s) and place (NYC), it is really difficult to search for aural content without lyrics. Believe me, I know how to search and research, but this one I can't figure out and I think it is one of those cases where an expert is more valuable than a machine at retrieving the information.

In any case, the search goes on. I'm not ambitious enough to really look for a person to point me in the right direction. The search has just become a sort of hobby of mine. "Oooh," I'll say. "A 12" shop. Maybe I'll just duck in for a few minutes to dig." It's kind of like that movie "Serendipity", where John Cusack has to look in used book stores constantly to find that book with Kate Beckinsale's number in it, Love in the Time of Cholera. That's me, except I'm not looking for my soul mate. I'm just trying to compile the soundtrack of my life. I have playlists that act like diaries in a way, and I'm obsessed with finding this because it's like a significant piece of my teen years is missing. It's all just memories.


Holly Palmer is in NYC on 10/26 @ The Living Room, 154 Ludlow St.

This thing is just sick. I just went through the Pacemaker Flash demo and watched a video of Ritchie Hawtin playing around with this and I'm totally up for getting this thing. It's like having a portable version of Traktor without the laptop. 120GB of storage. Nuts.

Not sure how usable it will be. The one thing I've had a hard time with is using the on screen controls with mixing software. This is usually improved when you buy a piece of hardware called a controller -- essentially a physical mixer with wheels mimicking turntables that let you manipulate the onscreen controls of the software. The thing this has going for it is the tactile experience.

You'll have to shell out about $700 and wait until around Christmas time.

Pacemaker Controls

Immi graced NY at Webster Hall. I hadn't realized she would be performing with a band, and while I was looking forward to the intimate solo songs, the band really helped with her dancey tunes. Below is video a fan took of "The Walk".

I have the iTunes session she did by herself. I think it would be great if she did a recording of one of the live shows with these guys playing with her as well, they really add energy to the live performance. Kid Beyond's beatbox skills are pretty incredible (clip of him beatboxing and looping with Ableton Live). Amazing what you can do with the right gear -- this guy's a pretty incredible one-man show by himself. He was awesome with Immi.